In this file of HUM 150 Week 5 Discussion Question 1 you will find the next information:
Imagine you are a character in a comedy. And also a romance. And yet again in a comedy-romance. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic, romantic, and comedy-romantic films. Name some other characteristics one finds; how do they contribute?